KMD

  KM Dersley’s articles and poems have been appearing in magazines since 1974.  The magazines include Poetry Review, London Magazine, The Rialto, Ambit, Scratch, The Wide Skirt, The Echo Room, South, Aesthetica, Lateral Moves and Purple Patch. He has performed his work in London, Cambridge, Colchester, Chelmsford, at Dulwich College and Tonbridge School and twice at the Wessex Festival, including 1999's event where he gave a reading and a talk on Charles Bukowski.

The working-world record includes twelve years as a hospital Theatre Orderly plus stints as a postal clerk, bank clerk, lorry driver's mate, cleaner and busker.  For the last seventeen years he has been a Data Input and Stock Assistant with the local County Council.

Writing in Tears in the Fence 17 about Clapgate Terraces, James Sale said, 'It has the full shock value that derives from thinking: it is not about images, although images feature; it is not about poetry, although poetry features as a pretty important subject--it is about life and about the mind of KM Dersley coming to grips with it.  And a very tenacious grip it is; Dersley is obsessive, and this makes for a kind of greatness....'
There is now a band called the Derz, which features, along with KMD, Joan Jerome on violin, tambourine and vocals.

PUBLICATIONS

The Gentle Art of Camouflage  (prose poems, Fetish Books 1980)

The Steep Descent to Paradise  (stories, articles, letters, Appliance Books 1981)

Opportunity Knocks  (stories, articles, Stepping Stone Books 1983)

Pediments Above  (poems, Appliance Books 1993)

Clapgate Terraces  (poems, Appliance Books 1995)

Fugitive Days  (poems, Redbeck Press 1998)

Sketches by Derz  (articles and fiction, Appliance Books 2001)

Scribbles & SQUIBS  (poems, Appliance Books 2003)

Between the Alleyways at the World's Fair  (poems, Feel Free Press 2004)

Paranoid in Paradise  (poems, Appliance Books 2007)

Retrospective Forecasts  (poems, Kendra Steiner Editions 2007)




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Articles and poetry on this website Copyright © KM Dersley 2000-2007 or other writers/dates as quoted in copyright notes.